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The Lumix S Pro 50mm F1.4 is also pricey for a lens of its type, around $2,300, but backs it up with quality. Panasonic sells a pair of more down-to-earth primes. They're premium options, as you'd expect from Leica: Prices start around $5,000 and go up from there. Leica has F2 Summicron lenses in 35mm, 50mm, 75mm, and 90mm focal lengths, as well as an F1.4 Summilux 50mm. Thanks to Leica and Sigma's participation, L-mount owners already have access to a good number of prime lenses, in addition to the pair that Panasonic has brought to market. Typically they're also smaller and lighter than zoom options. Prime lenses tend to gather more light than zooms, a plus for shots with blurred backgrounds and working in dim light. Sigma 45mm F2.8 DG DN Contemporary (Credit: Jim Fisher)Ī prime lens doesn't zoom, but working with a fixed focal length is appealing to many photographers.

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We've reviewed its 15mm F2 Zero-D and compact 10-18mm F4.5-5.6 and recommend either to photographers who appreciate manual focus. Venus Optics, a brand that's gone from boutique to nearly mainstream in the photo industry, offers some of its lenses for the L system, for instance. If you want to go wider, consider one of several manual focus options. The Sigma 14-24mm F2.8 DG DN Art starts at a wider angle and offers stronger weather protection for a few hundred dollars more it's an Editors' Choice winner and our favorite wide zoom for L-mount cameras.

We haven't yet reviewed the Panasonic Lumix S Pro 16-35mm F4 ($1,499.99) or Leica Super-Vario-Elmar-SL 16-35mm F3.5-4.5 ($6,095), but recommend the recent Sigma 16-28mm F2.8 as a value option for the system at just $900. The Sigma 20mm F2 DG DN Contemporary is available as a prime option for low-light and shallow-depth-of-field imaging, but the company also sells the 20mm F1.4 DG DN Art for astrophotography and low-light specialists.Īs it stands, Panasonic and Leica both market 16-35mm zooms. Its aperture is also a little dim for night sky work. If the Lumix S 20-60mm is your main zoom, you may not have as much of a need for a standalone wide-angle lens, but even 20mm might not be wide enough for architectural interiors or urban landscapes. Sigma 14-24mm F2.8 DG DN (Credit: Jim Fisher) There are some APS-C options, and Sigma also sells some of its older SLR lens designs for L-mount-we've broken them off separately. Most are full-frame and designed just for the system.

We're here to break down the lenses available for the system. The basics are all covered, and you can mix and match to your heart's content. Leica concentrates on premium primes, Sigma's wares run the gamut from value to exotic options that open to F1.2, and Panasonic has concentrated on more mainstream entries. You also get access to three design philosophies when it comes to glass. Panasonic has the mainstream covered with the crowd-pleasing S5, and video pros can look to the S1H and roll video at 6K quality. The Leica SL2 is pure German engineering, with stunning industrial design to match, while the Sigma fp is the absolute smallest full-frame mirrorless camera out there. This brand diversity has already delivered some niche cameras that you won't find for other systems. Together, the three make up the L-Mount Alliance. The L-Mount mirrorless system is a bit different-while it was started by Leica alone, it's been joined by Panasonic and Sigma. For many, that means optics from the same manufacturer as your camera, supplemented via third parties. When you're buying a camera with interchangeable lenses, you're also buying into a lens system. Since 1982, PCMag has tested and rated thousands of products to help you make better buying decisions. ( See how we test everything we review (Opens in a new window).)

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